For Stone Temple Pilots, I initially decided against going and wound up getting in for a fraction of the original price. For Reuben and the Dark, I held off on buying a ticket and wound up winning my way in. When Jack White's Canadian tour was announced, I really wanted to go and carefully considered my options, which amounted to Calgary and Winnipeg, but again, I stopped myself. Even short trips can be expensive and it's not always fun to travel at this time of year. But no worries - when I decided not to go to Jack White, Jack White came to me, with the late addition of a Regina stop. There's a lesson here. Never take any action to improve your miserable life. Fate will do it for you.
When the on-sale date rolled around, I was ready. I was at work when tickets went on sale, so I booked a ten-minute meeting with myself - this is not a euphemism for anything - so I'd have the best shot at getting tickets. Ticketmaster's site chugged and churned, but finally, I got two general admission floor tickets - just what I wanted. I also got a premium parking pass to make leaving a little easier.
I needn't have worried. The crowd was ultimately respectable but far from a sellout. There was even a student deal for cheap seats in a few specific sections. I could have bought floor tickets on the day of the show. The Brandt Centre is a much larger venue than TCU Place, where we saw The White Stripes (checks) eleven years ago?! Christ. Anyway. That show was an instant sellout. This one, decidedly not. I guess I do sense less interest in White's solo material than in the White Stripes (even from myself), but I did think this show would be a bigger deal to more people.
In the email announcing the show and approximately thirty subsequent emails, we were warned that this was a phone-free show. It was the same message every time out and you may as well get to enjoy it too:
- Please note: This is a PHONE-FREE show. No photos, video or audio recording devices allowed. We think you'll enjoy looking up from your gadgets for a little while and experience music and our shared love of it IN PERSON. Upon arrival at the venue, all phones and other photo or video-capturing gizmos will be secured in a Yondr pouch that will be unlocked at the end of the show. You keep your pouch-secured phone on you during the show and, if needed, can unlock your phone at any time in a designated Phone Zone located in the lobby or concourse. -
What this means for you, dear bored skimmer: everything here is from memory and may be 100% wrong.
What this meant for us: not wanting to fart around with magic pouches, Mika and I left our phones at home. Between dinner out and the concert, I was without a phone for over five hours. Sad as this is, it might be the longest I've been truly disconnected in years. I actually considered bringing a pen and a notepad in case I wanted to take review notes. And during supper, I couldn't check the exact date of my grandma's birthday (December 20) and I couldn't Shazam the familiar sounding song in the restaurant (Ophelia by The Lumineers). I think my phone is making me really dumb, guys.
Dinner was at Table 10, our favourite nearby spot. Monday is burger night and I got the day's special, a barbecue bacon cheeseburger with grilled pineapple. I've had a few of their burger specials now and I think this one was the best. I also got chocolate peanut cheesecake, which was very good but I really didn't more food. Mika had a veggie burger and raspberry creme brulé and enjoyed that. When I was paying the bill, the server asked if we had other plans; when I mentioned the concert, she got really excited. Not because she likes Jack White, but that this wasn't just dinner, it was a date night. I guess it was. I'll have to remember that it's not date night unless there are at least two activities.
We drove to the Brandt Centre and parked in our special reserved lot. This was a better idea in theory than in practice. The fancy lot is a bit of a hike to the arena. Not enough that it would normally matter, but it was snowing and windy and generally awful out. And I was underdressed for the weather, since I didn't think a parka in the arena for hours would be a good idea.
We found our way in and took a walk around the concourse. The line for the stuff table was orderly but ridiculous - I didn't even consider getting anything. It was quite the contrast with Stone Temple Pilots, where I would have been no worse than third in line any time I went by. Jack White fans like to buy things.
We went down to the floor and stood around for a bit before Rob wandered over and invited us to come hang with him, Char, and Karen. We chatted about our respective concert histories and mostly-shared love for Frank Turner (I haven't asked Mika but I suspect she would say "he's fine") before Crown Lands took the stage.
Now, about these here Crown Lands. They came out, got set to play, realized they forgot to hug, hugged, and then got back at it. They looked like modern-era "Weird Al" Yankovic on the drums and Will Forte in his Last Man On Earth beardy longhair phase on guitar - both wearing the Seventiesest outfits you ever did see. This is not entirely fair because I'm sure real Weird Al is old enough to be their dad, but Al doesn't age anyway, so whatever. They walked onstage to Closer to the Heart and their last song was a cover of Kashmir, which tells you what they sounded like better than I ever could. Someone warn Greta Van Fleet that a new challenger approaches.
I tease. But this was actually pretty good! These guys were great musicians who won the crowd over during their short set. At one point, Will Forte traded his guitar for giant a two-necked bass/guitar hybrid and the crowd oohed appreciatively. If that whole Rush/Zeppelin thing appeals to you, check them out.
Then we had a break until Jack White. After a while, a countdown popped up on the big screen, looking like one of those old-timey alarm clocks where the numbers flip down. After a while, the silhouette of Jack White wandered out and knocked a few minutes off the timer. Everyone rejoiced! But then he added a bunch more time on. Then he messed with it for a while longer and ultimately left us more or less where we started.
While waiting, a lumbering oaf shoved past us, calling Mika "girl" in the process (his most egregious offense, I was told). He was very tall so he pushed his way to the front, and he was loud and stupid and acted like everyone in his vicinity was glad to see him, even the ones who were subtly backing away. I wanted to grab his braid, shove it up his ass, and pull it out his dickhole. Instead, we just moved a bit back.
Finally, Jack White and his band took the stage, the familiar red of the White Stripes' peppermint motif replaced with blue. And before I get into anything else, this was a great-looking set. Jack White out in front with the band on risers around him, with giant rotating panels in the back - lights on one side, video screens on the other.
They opened with Over and Over and Over from White's newest album. I'd wondered if they'd play his solo stuff exclusively, and that was answered with the second song, Dead Leaves and the Dirty Ground from the White Stripes' White Blood Cells. The set spanned most of White's career, with White Stripes classics mixed in throughout, and even a Raconteurs song (Steady, As She Goes) as the first song of the encore.
Steady, As She Goes might have actually been my favourite performance of the night, just a killer version that brought an intensity that destroyed the album version. But there were other worthy contenders. My Doorbell is just a fantastic song. I really dig Love Interruption. And Hotel Yorba was made better with the addition of honky-tonk piano, as most things are. We're Going to Be Friends, Ball and Biscuit, Blunderbuss - really, there were just a ton of great songs. This show ruled.
There was a long stretch in the middle where I wasn't as familiar with everything. I haven't spent as much time with his solo albums as I did with the White Stripes. That said, between the fantastic band and the visual spectacle I had nothing to complain about.
During the encore break, instead of calling for one more song, the crowd sang the bassline from Seven Nation Army. If you don't watch wrestling, you're wise for many reasons, not the least of which is hearing that song doesn't remind you of Enzo Amore. And I thought his second-last song, Connected By Love, would have made a great show closer, but when that bassline hit for real, the place went nuts. And I know it's not actually played on the bass (at least on the album) so leave me be.
Early on in the set, some dude fainted or passed out or something near me. He was able to leave under his own power with the help of medical staff, but it was interesting to see that White's stage crew immediately saw what was going on and were there to help. We weren't even that close to the front, but they were on it. I think maybe the bass player saw the commotion and alerted them - he kept scanning the area with concern.
In an unrelated note (I assume, anyway), I've discovered the reason why none of the cannabis stores here can get enough supply to open their doors: all of the pot was at the Brandt Centre. It's gone now. I'm used to smelling weed at concerts but I'm not used to the smell never really going away. Tom Petty has been dethroned as the stinkiest concert I've been to.
I did miss my phone a little, but on our way out, it was nice to briskly skip past the lines of people waiting to unlock their phone sacks. "This is the worst invention ever," hollered one guy, "I've got 300 people here who all hate this!" I laughed and Mika told me to not encourage him. We trudged through many snowdrifts to our special parking lot, but we did get priority when driving out, so that was nice. Not $15 nice. But nice.
I ended up skipping White in Santa Barbara back in August in favor of Christ Stapleton at the Forum in Inglewood, but he's very high at the top of my list of acts to see. Maybe even higher now. I've spent the most time with his Raconteurs work so I'm a little sad he only does the one song in his live stuff now.