Seven Sloan shows in, and I pretty much know what to expect at this point. It'll be really good. They'll trade instruments a few times. Chris will lead the crowd in yelling SLOOOOOOOOOOAN. They won't play as many songs that I know as I'd like; of course, there's a simple solution to this problem, but educating myself is more time-consuming and less immediately gratifying than complaining on the internet.
So here we are. I'm listening to their greatest hits for the umpteenth time and I gave away the entire review in the first paragraph. Since we all know what we're getting here, let's talk about what's new this time out; namely, Sloan's new album, 12, which came out on the day of our show. You've got all of Canada to pick from and your de facto album release party is in Regina? I mean, I guess it doesn't matter, they were still selling the album at the handful of live shows before ours on this tour and it's 2018 and you're just going to stream it anyway. Plus they didn't really do anything to mark the occasion, at least on stage. Via Instagram, I learned they had album-release cake on their bus. That's nice. Cake is nice. Anyway, I listened to the album before the show because sometimes I do things that make sense but you shouldn't ever rely on it. My very short review is that it definitely sounds like Sloan. Nothing stands out above the rest but everything is good. This bodes well for its staying power. It feels like the kind of album where I'll pick a different favourite song every time out.
The venue isn't new but it was new to me. The Turvey Centre is a big ol' hall on the outskirts of town (or just outside of town maybe?) and we'd never been to a concert (or anything else) there. I don't know how many concerts it sees; I'd never even heard of one being held there before. It looks like they host a lot of conventions and weddings and whatnot. Functionally, it was a lot like when we saw Joel Plaskett at the WA WA Shrine Centre, with long cafeteria-style tables and a stage at one end. It's bigger than the Shrine Centre but not nearly as ornately decorated, so if you're looking to book a venue in Regina, you need to think hard about how many people you're hosting, whether they can easily get out of downtown, and how much they enjoy fancy wallpaper in the bathrooms.
We met up with Mark and Arlette at the entrance and found our way in. We immediately lost Mika who bolted for the stuff table, though since she'd already ordered the new album (the fancy bundle with the watch and poster), there wasn't anything she was interested in. I was intrigued to hear of the t-shirt bucket, with its assorted shirts in assorted sizes from assorted past tours, but not enough to go take a look for myself.
At other shows on this tour, there was no opener. Here, I think there actually was - a local cover band. If they did play, we didn't see them, and I don't remember their name, so... yeah. As is protocol, I'll assume they were really good. Whoever they were.
Mika and I went down to the front when Sloan took the stage right at 9:00. Twitter is ruining our society but at least it lets bands tell you when they're actually going to start. Sloan walked in to a song from Sesame Street; though the lyrics are just a list of numbers, if I say it's the one that goes "one two three four five, six seven eight nine ten, eleven twelve" you know exactly which one I mean. They opened with Spin Our Wheels, the first single from the new album, and we were off.
From here, it's pretty much what you'd expect. The show was split into two sets of probably about a dozen songs each, plus a two-song encore. For playing a lot of stuff I wasn't familiar with, it seemed like it flew by. I think it ended even more quickly for some folks - it seemed like a surprisingly high number of people took off at intermission. I don't know why; the sound was good and the band said they were coming back out. Lots of songs from the new album, of course - nearly the whole thing. Only a handful of singles, including Losing California, Who Taught You to Live Like That, If It Feels Good Do It, and The Good in Everyone. No Underwhelmed, but that's a given and I know better than to expect it. Somehow I'm now 1-for-7. I checked. It's a bit weird that there are some hits that they rarely seem to play (at least when I'm there) but there are others that you hear every time out like The Other Man or The Rest of My Life. The Other Man isn't even that good apart from how badly it irritates Aaron and that only counts for so much when he's not there.
So like I said (several times, because I don't know that many different words), this was pretty much exactly what I was expecting. Which isn't a bad thing when you're expecting a good thing. Would go again, as if that decision was mine to make.
UPCOMING CONCERTS: • Donovan Woods w/Wild Rivers (April 29) • “Weird Al” Yankovic w/Emo Philips (June 1) • BA Johnston w/Johnny 2 Fingers & The Deformities (June 15) • The Flaming Lips (June 22) • Gateway Festival feat. Kathleen Edwards, John K. Samson, Elliott BROOD, Big Sugar, Terra Lightfoot, Yukon Blonde, The Kentucky Headhunters, Chixdiggit, William Prince, Library Voices, more (July 27-28) • Arkells (August 2) • Regina Folk Festival feat. Neko Case, Tanya Tagaq, more (August 11) • Frank Turner & The Sleeping Souls (September 12) • Crash Test Dummies (October 11) • Hawksley Workman & the Calgary Philharmonic Orchestra (April 13, 2019)
Click Here (ap.google.com) I didn't recognize him by name, but I immediately recognized several of the songs that he wrote, like The Ole Fishin' Hole (youtube.com) (opened The Andy Griffith Show) and Harlem Nocturne (youtube.com)