It was pretty early in the year when this show was announced and tickets went on sale. Mika's a long-time fan, and I've seen k.d. lang a few times before and knew it would be good, so I was pretty pleased about this. I had high hopes of summoning some more of my front-row magic that's been doing so well of late, but no dice - those were premium VIP tickets with the exclusive merchandise, meet & greet, all that good stuff. As for the regular seats, they were plentiful but also selling quite quickly - every pair I tried to grab wound up sold to someone else before I could complete the online transaction. Rather than get shut out entirely, I retreated to the comfortable familiarity of two seats on the end of Row L For Legroom, but - if you can possibly believe this - on the other side of the concert hall this time. Wild!
Several months later, the Conor McGregor and Floyd Mayweather dream match was signed, and of course, it was on the same night as this show. Friends immediately made plans and I immediately declined them. Skipping the ridiculous sports spectacle of the year in favour of going to see k.d. lang was possibly not the most macho I've ever felt*, but I have no regrets. The fight was better than everyone was expecting, but I can't adequately describe how low that bar was set. I still haven't seen it and have no real need to.
*actually, it was about on par with every day
We got to the Conexus Arts Centre with only a little time to spare - I always show up way early and am always pleased with myself when I fight the urge and things work out alright. The place was packed - tickets sold out on the first day, with the exception of the aforementioned VIP packages. And those ones went soon after. We got inside, checked out the Stuff Table, and found our seats. I was delighted to learn that Row L For Legroom has the same legroom on either side. I was more delighted to not feel like the oldest person at a concert. Far from it - the guy sitting in front of us asked us how we got in, since it looked like there'd been an age restriction at the door.
Our openers were local duo Kacy & Clayton. You may remember them from such concert reviews as #225, when they opened for (and then played with) Ryan Boldt. Since then, they've put out at least one more album and have done some shows in the US. That's neat! I like watching people's careers progress.
This was a lot like the last time I saw them, though they didn't have any other musicians this time. He still played guitar. She still sang. They did pleasant folky songs that sounded nice if somewhat similar to one another. The sound wasn't the best and I found it hard to make out the lyrics. One song made repeated mention of the Santa Fe Trail. If you want more information than that, I don't know what to tell you. Clayton said "I see you guys have a lot of exits" which was funny but then I was distracted by just how many glowing red exit signs there are there. I suppose it beats not having enough. And now I'm distracted again.
The problem with aisle seats is dealing with all the people passing by you, so we headed out into the lobby for the intermission. Don't let the change in location fool you - we did the same stuff as ever; namely, showed each other cute animal pictures (and occasional Japanese foods) on Instagram. We're a thrill to hang out with and I don't know why we aren't surrounded by hangers-on at all times.
This tour was to mark the 25th anniversary of k.d. lang's album, ingénue. These shows usually make me feel old but I can't say I was a huge fan of lang's at the time, so it didn't have any effect on me. And to be fair, I didn't see many 16-year-old boys at this show either. Anyway, lang was - of course - playing the album all the way through. I'd assumed I'd heard the album a bunch since my mom had it, but I only really knew the two singles. It turns out that it's a well-designed album for these kinds of anniversary tours, since you get the first single Miss Chatelaine three songs in, and the big hit, Constant Craving, is the very last track. I wonder how often that happens. It has to be rare, doesn't it, where the album's big hit is the very last song? Now I want to go look at all my CDs. Where are my CDs? What are CDs?
Anyway, that album ain't that long - I didn't mean to use "ain't" there but I'm not changing it now - so she played a few more of her own songs before closing the main set with three covers of Canadian artists. You likely know which ones. The crowd did, with one guy yelling "HALLELUJAH" as soon as she said she was going to do a few covers, and someone else yelling "JONI MITCHELL" a few words into lang's story about playing Mitchell's song in front of her. I thought "I bet the third will be Neil Young" and it was. She has her go-tos.
When that dude yelled for Hallelujah, she said "I'm not sure how to take that" and everyone laughed. And I get it; if you shout out "Hallelujah!" people will think you're REAL into whatever you were just told. But I wonder if it's weird for her. She's more than accomplished as a songwriter in her own right, but the song that's become her trademark is someone else's. And she wasn't the first to do it in that style - her version is more Cale or Buckley than Cohen. Who knows. Maybe that's not something she'd care about. Just thinking out loud here. Except written down. But you know.
Anyway, she did a few more songs for the encore, thanked us for coming out ("and if you DID come out tonight, congratulations"), and that was that. Her voice is as strong as ever and her band is great, so this was basically exactly what (and as good as) I expected. I do think I liked her last show here a little better, mainly because she didn't have to play a whole album in order and had a little more freedom when picking the songs - but that's a minor thing and one I kinda expected. All told, I had a delightful time and am more than satisfied with my life choices. You missed out, 16-year-old boys. I hope you liked your punching. And I hope somebody skipped to the end and read that without context.
THIS WEEK'S TOTAL LISTINGS: 1407 100% WOMON Agrippina (The W at Amazon) | Saarbruecken State Theatre Ensemble (Orchestra) 101 DISTRIBUTION Adrift | Pleq & Hakobune Original Album Series | Ray Charles Original Album Series: