Long ago, I had a ticket to see Electric Six in Regina. Didn't go. Don't remember why. Busy at work? Too tired? Who knows, something lame I'm sure. Whatever the cause, I've seen that unused purchase in my order history on the ticket site and it's always bugged me. Still, I wasn't sure about going to see them this time around either. Find a new venue in another city? Hang out by myself? Dubious.
But I like Electric Six and regretted missing out last time, so I went. Obviously. Though I think I'd enjoy writing a review for a show I didn't go to.
(Also, I emailed the promoters for Canadian Juggalo Weekend and asked for media passes so I could cover the festival for my blog and its tens of readers, but for some reason, they never got back to me - can't understand why not - point being, I had more spare time than I might have otherwise.)
I bought a ticket online and hopped on a train to SAIT. I then hopped off said train two stops later because I was playing Pokémon Go and the tracker showed there was a wild Wobbuffet nearby, and I didn't have one of those yet. This seemed like an exceptionally stupid thing to do but also a great validation of my choice to buy a day pass for the train instead of a single-use ticket. The Wobbuffet was right by the Arts Commons, where I saw The Last Waltz Remembered the day before. As such, this also answered my question as to whether it was faster to simply walk there (as I had done) or walk to the train, wait for the train, and then take the train. (Answer: the train was much faster but I lucked into not having to wait long for it.)
Anyway, you'll surely be pleased to know that I was successful in catching the Wobbuffet, and I was back just in time for the next train - mostly because the police had stopped it from leaving so they could escort an exceptionally drunk man off it. Success! Well, mostly - there are two train lines and I got on the wrong one. But I figured it out while still in the area serviced by both trains, so whatever. I still got to the Gateway shortly after doors opened.
The Gateway is the campus bar at SAIT. It reminded me a lot of the Owl from the University of Regina, though with more communal tables, which is not ideal for someone flying solo. There was a bench in the back that I had my eye on, but some dude was sleeping on it. As soon as he left, I claimed it. Or at least one butt’s worth.
Getting there as early as I did was a misstep. Not my fault - I'd never been there before and you never know if a place is going to run on Casino Time or Louis' Time or Amigos Time. I'd call this Louis' Time, which is acceptable. I wound up with nearly an hour to kill, so I texted with Colin, Mika, and Josy, played some games (doughy grey-haired 40-year-old doing crosswords on his phone at the back of the bar), and mostly just sweated. It was mighty warm in there. I thought about getting a drink but didn't want to lose my coveted bench. We also all got to listen to the rock hits of the early 2000s, by which I mostly mean The Hives. I love The Hives. It got to be too much The Hives.
Our openers were a Calgary band called 240, pronounced "two-forty" if you care about such things. Mostly straight-up rock, though I detected hints of Red Hot Chili Peppers in a few songs - funk guitar and that kind of not-quite-rap staccato talk-singing. All original material, which the singer pointed out a few times. They played for about 45 minutes and were not entirely my thing but were decent enough - reminiscent in that sense of a lot of local opening bands I've seen.
Electric Six have 12 albums out. I know this because the lead singer mentioned it repeatedly and wanted all of us to buy all of them, saying that if we did, they'd make $48,000. I was going to call this into question until I realized I was doing the math wrong. So I'm a dumb.
The most recent Electric Six album came out last year, and they played at least one song off it (saying that the record company made them). I don't know where most of the rest of the songs were from, as many songs were introduced as being "from one of the albums." I also learned a lot about what each song was about, as in "This next song is called When Cowboys File For Divorce. It's about when cowboys file for divorce."
I also learned that Electric Six got into music to meet cool and interesting guys, like Carl, Doug, Gordo, and Randy, all of whom were in the crowd. It was later clarified that they didn't get into music to meet guys because nobody does that; instead, they got into music to meet some of the girls. They dedicated a song to some of the girls.
It's kind of surprising that I hadn't seen Electric Six before now, as they've come through Canada (which the singer called "a great city") many times, often including Saskatoon and Regina. They'd clearly played the Gateway before, as singer Dick Valentine knew all about its history, how it was founded by Doug and Carol Gateway, who had a dream to open a bar that served alcohol.
In between all this, they played some songs! Early on, they played my favourite Adam Levine song. It's called Adam Levine and features a very catchy singalong chorus of "burn in hell / rot in hell / burn in hell / motherfucker." I gather that Electric Six is not a fan of Maroon 5. It occurs to me now that maybe part of the issue is the similarity of their names? Personally, I would much rather have an electric 6 than a maroon 5, as I favour functionality over form. Plus it's clearly one better.
Unsurprisingly, the biggest reactions of the evening came for all the hits - Gay Bar, Danger! High Voltage (including a saxophonist who was only brought out for this song and promptly disappeared after giving out some fistbumps), and the last song of the encore, Dance Commander. However, a good number of the folks there knew all the words and sang along with every song. This show was loud, hilarious, dancey, and fun as all get out and I'm sadder now that I missed that show years ago. This was worth the heat and the Hives and would have been worth lowercase hives too, if I'd contracted any as a result of the show. But I didn't. So that's good.
It should go without saying that these folks do not take themselves super seriously. This has led me to a situation where I was checking some information on Wikipedia and I have no idea how much of it is legit. Their past members apparently include Rock and Roll Indian, Surge Joebot, Murdock Ramone, Disco, M., Frank Lloyd Bonaventure, Dr. Blacklips Hoffman, Macro Duplicato, Brian Blastoise, The Colonel, Smorgasboard, Percussion World, and Dr. Diet Mountain Dew. This shouldn't seem as completely plausible as it is.
The band said they wanted to meet and drink with everyone once they were done, but I left as soon as the show was over. In case I didn't have enough comedy for one evening, I wound up sitting on the train in front of two guys that I can only describe as the Iron Sheik having a conversation with another Iron Sheik, in full-on playing a character for the internet mode, only there was no audience of millions, just me, entertained and a little scared. That seems somehow fitting.
UPCOMING CONCERTS: • BA Johnston w/Napalmpom (April 28) • Colter Wall (May 8) • Serena Ryder (June 25) • kd lang (August 26) • Guns N' Roses (August 27) • The New Pornographers w/Born Ruffians (October 6) • Martha Wainwright (October 22)
I mean, I suppose I could have BOUGHT tickets, but...
It didn't help that they moved locations due to a "scheduling conflict" - the scare quotes led me to believe that the original venue didn't have a scheduling conflict so much as they realized what they'd signed up for. And the original location was walking distance from where I was staying - the new one, not so much.
THIS WEEK'S TOTAL LISTINGS: 1502 101 DISTRIBUTION Knives to the Future (The W at Amazon) | Project 86 10 SPOT After The Earthquake | The Jazz June | (Vinyl) (11/10) Damn Near Righteous | Bill Medley (11/10) Infinity | Shawn Phillips (11/10)